

In darkness, we hear a recording of the scandalous 1954 debut performance of Edgar Varèse’s revolutionary Déserts at the Théâtre des Champs-Élysées. Then, in a different sort of Elysian Field, we hear a recitation of Canto XXXIII from The Inferno, a final vision of the Divine Light, in which Dante apprehends the will and desire of man in perfect harmony with the love of God.

Made with Love By Anonymous
This project uses the TMDB API but is not endorsed or certified by TMDB.