Coda I + Coda II
00.
2013-10-09
.4 min
Peter Gidal’s starting point for his 16mm film was a soundtrack that consists of three lines from a 1,000 word story written by Gidal in 1971, read by William Burroughs. Gidal describes the film’s ‘so-called imagery’ as ‘a complex of barely visible cuts in space and time, the opposite of erasure, but nothing so much as visible’.
Storyline
Peter Gidal’s starting point for his 16mm film was a soundtrack that consists of three lines from a 1,000 word story written by Gidal in 1971, read by William Burroughs. Gidal describes the film’s ‘so-called imagery’ as ‘a complex of barely visible cuts in space and time, the opposite of erasure, but nothing so much as visible’.
Released
2013-10-09
Runtime
4 min
Budget
$0
Revenue
$0
Language
English
Status
Released
Production
Unknown
Directors
CASTS
GOMOVIEINFO
Made with Love By Anonymous
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