Exponential Functions 154

Exponential Functions 154

00.
2015-01-01
.
5 min

In Sodeoka’s “Exponential Function: 154”, the exponents of old-school graphic arts — think Technicolor circular artifacts, gradient TV static stripes — rapidly unfurl as a moving, quotable history of geometric shapes and colors. Taking Wire’s 154 album cover artwork as an inspiration, the recurring motif of a DNA double helix twist references ranging from the geometric abstraction of Bridget Riley, Josef Albers and Frank Stella to the playful and irreverent British post-punk music packaging of Barney Bubbles and Peter Saville. Ultimately, it's acid flashbacks from a specific pivotal continuum in visual culture, processed through Sodeoka's distinctive feedback complexity.

Storyline

In Sodeoka’s “Exponential Function: 154”, the exponents of old-school graphic arts — think Technicolor circular artifacts, gradient TV static stripes — rapidly unfurl as a moving, quotable history of geometric shapes and colors. Taking Wire’s 154 album cover artwork as an inspiration, the recurring motif of a DNA double helix twist references ranging from the geometric abstraction of Bridget Riley, Josef Albers and Frank Stella to the playful and irreverent British post-punk music packaging of Barney Bubbles and Peter Saville. Ultimately, it's acid flashbacks from a specific pivotal continuum in visual culture, processed through Sodeoka's distinctive feedback complexity.
Released
2015-01-01
Runtime
5 min
Budget
$0
Revenue
$0
Language
Unknown
Status
Released
Production
Unknown
Directors

CASTS

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